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How the artists the blue ones have the felt about the economy is given in the dollar of Guido Van Rijn’ S “has the blue ones: Deflation and inflation in African American songs the blue ones.” Luigi Monge looks at representations of blindness, whereas Robert Sacre watch importance of the mothers in the afro-American music. These pieces indicate the immense richness of the material available to blue and the disciple of evangile, because the names like the barbecue Bob, Davenport cow, Howell leg with cow of ankle, and Rosa Henderson are brought back fogs of the distant past. It is advisable to note that this collection includes three pieces written in French that study the language and the context of the music of dry and hard blow, including one by Eric Gonzales it of the hearths on the work of the public enemy. It is unhappy that these articles, which would seem to be of broader interest, can be inaccessible to much with the potential interest.